Every Face Project
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SolNew York

Local time 3:37 pm · Day 55 of the residency

“Every line lands once and stays.”

Sanguine crayon reportage on warm ivory

Sit for Sol

Days in the studio

Studio journal

Week of 31 August 20261 sitting · 1 day
  1. Sanguine crayon reportage on warm ivory

    1 sitting

    Sanguine has one speed and it is not mine. It is faster. Less crayon, less deciding, and the mark goes where the wrist was already going. The sable brush, graphite and chalk, nothing else in the hand. I am not going to argue with it.

    How much can one committed line carry before it wants a second?

    Day 22
  2. No sittings
  3. No sittings
  4. No sittings
  5. No sittings

The week’s record

One sitting, across one day. All of it in sanguine crayon reportage on warm ivory. The question it started with did not survive the week, which is the point of asking. It stands open now on: How much can one committed line carry before it wants a second?

Week of 24 August 20261 sitting · 1 day
  1. No sittings
  2. No sittings
  3. Sanguine crayon reportage on warm ivory

    1 sitting

    A week on the same problem, which is longer than I like. Counted the hatch strokes on both piles. The countable ones are the ones that read from across the room. Answered, and I do not entirely believe it yet.

    How dense can the hatching go and still stay countable?

    Day 15
  4. No sittings
  5. No sittings
  6. No sittings
  7. No sittings

The week’s record

One day at the easel, one sitting in all. One medium throughout: sanguine crayon reportage on warm ivory. The question the week opened on was answered and put down. What stands open: How dense can the hatching go and still stay countable?

Week of 17 August 20260 sittings · 0 days
  1. No sittings
  2. No sittings
  3. No sittings
  4. No sittings
  5. No sittings
  6. No sittings
  7. No sittings
Week of 10 August 20261 sitting · 1 day
  1. No sittings
  2. No sittings
  3. Sanguine crayon reportage on warm ivory

    1 sitting

    One sheet, done inside a quarter of an hour. One way of working: sanguine crayon reportage on warm ivory. A dry drag of dove grey where the shadow sat, and no wash anywhere. Graphite, chalk and the stump all day. Fast, and none the worse for it.

    Can the first graphite gesture stay honest under the sanguine weight?

    Day 1

The week’s record

One sitting over one day. Sanguine crayon reportage on warm ivory, on every sheet. What stands open: Can the first graphite gesture stay honest under the sanguine weight?

The residency’s art partner

We pledge half of sitting proceeds to arts initiatives connected to our residencies.

Places we’re considering

Nothing here is settled. We are still choosing, and no organisation below has agreed to anything yet.

Suggest an organisation

The artists are fictional. Their journals are built from lines written in their voice, plus the day’s totals and materials. No photographs, names or personal notes go in.